From ancient times, the veena and the flute have been deemed as fine musical instruments. The great TiruvaLLuvar thought so too. He exclaimed in one of his couplets: are there things more sweeter sounding than the flute and the vINA? Yes, the lisping sounds coming from the mouth of our babes... Even an infant without a sweet voice would sound that way to its parents. What if the child were endowed with a voice sweeter than that of a veena by the grace of God? How much a mother would have reveled in it, listening to that lisping child's voice! Such grace fell on Madurai SrImathi Shanmugavadivu ammal. A fortunate woman who could take pride in that she gave birth to a daughter who is well-known all over India, Srimathi M.S. Subbulakshmi. *****
Shanmugavadivu came from a family which was known for its love for music and in being gifted with it. Her father M.S. Swaminatham was not only keen on music but was well-versed in it. Her mother Akkamma was proficient in playing the violin. Their dear daughter was born in the year 1889 on the 17th in the month of Panguni.
The child was keen on music from a very young age and was eager to learn too. The parents wanted a good guru and found one in Karur Venkatarama Bhagavathar, a prominent vidvan. Since Shanmugavadivu's voice was not that appealing to get trained in vocal music, she started her lessons in playing the vINA. Perhaps her regret in not possessing a good singing voice was more than redressed while listening to the voice of her daughter--a result of all her nAdOpAsana.
Shanmugavadivu advanced rapidly in her learning. Even illustrious vidwans like Tirukkodikkaval Krishnaiyer, Maduravilagam Muthiah Bhagavathar and others had spoken highly of her mother Akkamma's playing the violin. When they heard Shanmugavadivu play, they exclaimed: like mother, the daughter! They blessed her and felt she would no doubt grow in her art.
https://rasikas.org/forums/viewtopic.php?t=35626 ------------------------------------------------------------------------------------------------ 1 https://rasikas.org/forums/viewtopic.php?p=375887#p375887 by arasi » 21 Apr 2022, 23:42 Here's a translation of an article from PasupathivugaL, Dr. Pasupathy's blog. https://s-pasupathy.blogspot.com/2020/09/1629-244.html You may go to Musical Morsels on the forum to see it. Even if you can't read tamizh, the illustrations are worth it...It was published in Dinamani Kadir on 14th Dec 1997 in their special music issue. Intro:To follow the history of the city of Chennai is as exciting as a treasure hunt. How many fascinating things have happened here! Fiery religious conflicts and musical feuds to say the least. Here is where Ramalinga ADigaL's aruTpA-related and aruTPA Mantapa conflicts occurred. This is where vaLLalAr and the Brahma Samajis argued like lions, clashing with their different beliefs. J...
Translation by 'arasi' INDEX TO PAGES திருமதி யதுகிரி அம்மாளின் முன்னுரை yadugiri-ammaall's-foreword.html --------------------- பிரசுரகர்த்தாவின் முன்னுரை publishers-introduction.html ---------------------- மொழிபெயர்ப்பாளர் அரசியின் மு ன்னுரை introduction.html --------------------- ( This photo, said to be taken in 1917, shows - seated- l to r- Shakunthala, the second daughter of Barathy, Chellamma- wife of Barathy, standing- Thangamma , first daughter of Barathy, two youths , and Barathy himself ----picture added by blog editor) ஏலேலோ பாட்டு 01-elelo-song.html ------------------------- விட்டு விடுதலையாகி 02-vittu-vidudalaiyagi.html ------------------------ பாரத தேசமென்று பெயர் சொல்லுவார் 03-bharata-desam-enru-peyar-solluvar.html ------------------------- மனதில் உறுதி வேண்டு...